Lacemaking Tatting Insertion in Tatting and Lace Stitch

Lacemaking Tatting Materials: Messrs. Walter Evans and Co.'s tatting cotton No. 80; tatting-pin No. 3.

This insertion forms a very pretty standing-up collar when worked with fine cotton and a coloured ribbon drawn through. It consists of 2 rows of 3 branched figures turned opposite one another, which are worked separately and then joined into a row. Work 9 times as follows:--2 double, 1 purl, 2 double, * draw into a circle and * work at a short distance a 2nd circle as follows:

--2 double fastened on to the last purl of the 1st circle, 8 times 2 double, 1 purl, 2 double, repeat once more from *, knot together the two ends of the cotton, and fasten them on the wrong side. One figure is thus completed; each following figure is fastened on to the preceding one on the middle purl of a circle (see illustration).

When a sufficient number of such figures have been worked, work a 2nd row of them in the same manner, and fasten from illustration each middle circle of one figure on to the corresponding circle of the 1st row.

The circles filled with lace stitch are worked when the 2 rows are completed from illustration in the empty places between 4 patterns; work first 3 double, fasten them on to a purl on the side of a leaf turned inside, * 3 double, fasten them on to a purl of the next leaf, repeat 5 times more from *, work 3 double, join the stitches into a circle, but not too close, so that the purls keep their natural position; cut off the cotton, and fasten the two ends on the wrong side.

The lace stitch inside of these circles is worked with fine crochet cotton; the lacemaking tatting pattern may be changed for a single or double wheel.

Archery bows Archery Camping & Hunting Canning fruit Classic Car Crochet Drawing Embroidery Fencing Guitar making Hats	Knots, splices & rope work Lace Macrame Mechanical Drawing Tatting Taxidermy Tin Can Toys Watches Wood Carving Wood Joints Wood Turning

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